Lipsi, Photography and Me:

Rediscovering photography on Lipsi.
Copyright: Serban Enache/Dreamstime

This post was first published on my Greek island blog but as it is mainly about my photography and how I came to rediscover my interest and enthusiasm, I thought it worth posting on my photography blog as well. Has anything or anyone ever inspired you to return to something you once loved?

Readers of my previous review of the little island of Lipsi (here)will notice that it came without my usual photographs (I licensed two images from photo agency Dreamstime.com). There's a story to that which some might find interesting.

From my biography you will see that I used to be a professional press photographer -mainly concentrating on politicians and other public figures. The advent of (initially) very expensive digital cameras and the founding of the internet led to a situation where my type of photography was no longer viable due to the changes in the way newspapers and television news made use of and paid for images. I changed careers and moved on from photography -even selling my set of film cameras (two Olympus OM1 SLRs and a medium format Mamiyaflex).

Moving forward to the early 2000s saw me start to visit small Greek islands where my photography was just limited to holiday snaps using a one-use disposable film camera. Quite sufficient for record shots for me -with no thoughts of ever offering images for sale. Then came my Lipsi trip in 2004.....

It started with the welcome meeting (the morning after our "peril at sea" transfer from Rhodes). One of my fellow guests was sporting a very substantial professional level camera (a Nikon or Canon). My little disposable suddenly looked very insignificant compared to that and I felt the first twinges of missing out on "proper" photography. In conversation it turned out that he worked for the BBC (British Broadcasting Corporation) and that him and his French partner were both Greek island lovers -recommending Tilos as another small island to check out. Now, when I was photographing, the BBC (News) had been one of my major customers. Again, there was that feeling of missing out and links to my past.

Throughout my two weeks on Lipsi my BBC man became a regular sight (it's a very small island!) lining up, no doubt, stunning professional images of the island. That Greek wedding that I went to check out in the early hours? Of course, there he was already -skilfully capturing the action from every angle (I hadn't even brought my camera). By the time of the Panagia Harou religious procession I didn't just want to take a snap. Oh no, I wanted (needed) to "document" it -the small fact that my camera was rubbish not putting me off. A misjudgement on the route the procession would take found me careering through a building site to regain ground and catch up with the action. That, by the way, is a key to much of Editorial photography -knowing what is going to happen, when and where. This time my BBC friend had excelled himself -not only being in place to capture the procession throughout but (the final triumph) had his partner waiting, positioned at the church, with ANOTHER camera -shooting the event from a whole different viewpoint. I think I ended up with a few blurry images of the band marching and that was it.

Back home in England I had a lot to think about but one thing I knew was that I really wanted to do some serious photography again. My BBC friend had ensured that. By chance, somebody I knew was selling their whole camera outfit. An Olympus OM20 SLR complete with a whole range of lenses and accessories -and at a bargain price. I was back in the zone. Crisp, sharp images. Changing lenses as required. Using different apertures/shutter speeds to get the effect I wanted all started to come back to me.

This also coincided with getting easy access to the internet for the first time and the discovery that there

Blue sea and skies of Lipsi
Copyright: Serban Enache/Dreamstime

actually photo agencies that would take sufficiently good images from anyone, professional or otherwise and market them. I suddenly had an outlet for my creative drive and started submitting to a few. I pretty soon realised that in a digital age the Olympus film camera (no matter how good) wasn't the right camera for this new direction and invested (for me) a small fortune on a Nikon D80 DSLR and eight years later that same camera is still going strong.

Of course, I would still love going to small Greek islands with or without a camera, just as I would enjoy going to airshows without taking photographs but having the camera adds a whole different dimension -it really makes you look properly at things and look for those things other people do not notice -and the satisfaction of having good images to remember experiences by is untold. I owe a big thanks to that BBC photographer for giving me the inspiration to get photographing again. If that's you, or it sounds like someone you know please do leave a comment below. Regards, David.

A is for.......Alamy:

Passed -Flora the Singleton Giant

I have recently started to upload some images to British agency Alamy. More premium priced than microstock they are probaly best described as a Midstock agency. Though they take any kind of stock subjects they are probaly best known for travel and editorial images -with frequent credits in the British national newspapers.

Now, this is not a new sign up for me. I opened my account at Alamy in January 2008 back when my only other agencies were Snap Village (deceased) and Picture Nation (deceased). They were British, took editorial and anybody could upload on line. It all looked good until I started to see their frankly Byzantine upload requirements. You couldn't just upload your images as you could with other agencies. Instead a curious upsizing was required for which you had to buy special software (Genuine Fractals was their recommended one). Cue lots of instructions about compressed/uncompressed sizes which I didn't really understand then (and still don't!). Alamy went on hold before it even began for me. Anyway, years passed and all that kerfuffle was eventually scrapped. Now you just need a 6 megapixel (or more) camera and you're good to go. Provided your camera is on their "Approved Camera List" that is. My Nikon D80 is, I'm pleased to say.

So, start uploading then David? Well, no because about that time microsite Yaymicro announced a

Failed - chromatic aberration

partnership deal with Alamy - I was happy for them to take their cut for saving me all that time uploading and keywording. This would have been a sound plan if they had ever actually put any of my images on Alamy. After a year or so I emailed them and they assured me they would get there eventually but it would take time. I'm guessing they were cherry picking best images for Alamy and not just mirroring their whole library there. More time passed and still no Alamy action and in the meanwhile Yay have virtually sunk into oblivion (for me) so I'm not sure how much longer I'll even be uploading to them.

Right, time to upload direct. Start with uploading four images as a test. Just upload (you only have to add captions/keywords after approval). My test came a cropper when one of the Eiffel Tower failed their Quality Control (QC) for chromatic aberration (fringing). It had been approved at every other site I belong to. However, there was no wait period and I was free to upload another four images. I just re-uploaded the passed ones from the first batch and added another hopeful. These passed and I was in. Once in you can upload as many images as you want at any time. At this point you can add your data and wait for the next server update for them to go on sale.

Now for the important bit: Alamy rules do not allow you to set a different license type (for the same image) to what you are selling elsewhere. If those images are Royalty Free on microstock then you must set a Royalty Free license on Alamy. This throws up another problem because Alamy require editorial images to be Rights Managed - ruling out a large chunk of my portfolio which are Royalty Free on the micros. You could, of course, shoot some editorial just for Alamy and that would be fine.****

Passed - Pigs head with apple

The second important thing is their Quality Control (review) system. They do not check every image but if they do reject just one they also reject every other in that batch AND in all other batches awaiting approval. Harsh, but there it is. My strategy for now is to literally upload one image and await the outcome. Reviews are usually a day or less. Once I get a feel for their standards I'll up my
numbers. Be aware that if you get a sufficient number of QC fails you will be suspended from uploading for a while or ultimately face account closure.

My image choice strategy, for now, is to choose a few images from each area of my port (e.g. each Greek island etc). I'll report back how it all goes. Regards, David.

****EDIT: RF Licensing is coming. See my post here Alamy update